The house
Designed between two landscapes.
Footwear shaped by Brazilian beginnings, Australian life, and a lifelong habit of drawing form before it is cut. A house built on iconic forms — never on filling a rack.
Two landscapes
Making happens in Brazil, with workshops that can finish a whole shoe. Life and direction sit in Australia. The distance sets the pace: considered runs, no chasing every season, pairs that leave when the line is right.
Drawing as method
Heel height, strap, and vamp are settled on paper before a last is cut. It is slower than adapting an existing shape — and how each style stays distinct. Altura, Brisa and Travessia carry that method into leather.
Founder
Caroline Correa
As a child in Brazil, she filled sketchbooks with shoes long before she could commission a last. Heels, straps, and openings arrived as gesture first — a habit that never left.
She lives in Australia now. The work still moves between the two landscapes: drawings and direction here; making and finishing there. Focus stays on the forms that deserve to last.
The method
What shapes every pair
Form
Every silhouette begins with proportion, balance, and the movement of the foot — settled on paper before leather is cut.
Material
Leathers and finishes are chosen for character and how they age — honest under wear, not against it.
Movement
Each design considers how a woman moves through her day — between work, travel, occasions, and the everyday.
Studio notes
New forms, quiet updates, and notes from the studio. Sent seldomly, never sold.